“Believe”, Final Print on Fabric- 8.5” x 11”, Cyanotype, 8.12.22
“Believe”, Test Print on Fabric and Transparency, Cyanotype, 8.12.22
“Believe”, Film Transparency, 8.10.22
“The Blue Project”, Final Print on Fabric- 8.5” x 11”, Cyanotype, 8.12.22
“The Blue Project”, Final Print on Fabric- 8.5” x 11”, Cyanotype, 8.12.22
“The Blue Project”, Final Print on Fabric- 8.5” x 11”, Cyanotype, 8.12.22
“The Blue Project”, Final Print on Fabric- 8.5” x 11”, Cyanotype, 8.12.22
“The Blue Project”, Sun Exposure- Cyanotype, 8.12.22
“The Blue Project”, Fabric Soaking- Cyanotype, 8.12.22
“The Blue Project”, 8.5” x 11”, Collage for Transparency (Negative) for Cyanotype, 8.12.22
“The Blue Project”, 8.5” x 11”, Collage for Transparency- Cyanotype, 8.12.22
“The Blue Project”, 8.5” x 11”, Collage for Transparency (Negative) for Cyanotype, 8.12.22
“The Blue Project”, 8.5” x 11”, Collage for Transparency- Cyanotype, 8.12.22
“The Blue Project”, 8.5” x 11”, Transparency for Cyanotype, 8.12.22
“The Blue Project”, Starting Images for Cyanotype, 8.12.22
Untitled, Collaboration with Jammi York, 24” x 36”, Cyanotype, 8.5.22, jammiyorkphotography.com, @jammiyorkart_, @jammi_york
Untitled, Exposing the film, Collaboration with Jammi York, Cyanotype, 8.5.22, jammiyorkphotography.com, @jammiyorkart_, @jammi_york
Untitled, Scratching the film, Collaboration with Jammi York, Cyanotype, 8.5.22, jammiyorkphotography.com, @jammiyorkart_, @jammi_york
“Momento”, Final Print on Paper, Collaboration with Nguyen Ly, 22” x 30”, Cyanotype, 8.1.22
“Momento”, Drying the print, Collaboration with Nguyen Ly, 22” x 30”, Cyanotype, 8.1.22
“Momento”, Rinsing the print, Collaboration with Nguyen Ly, 22” x 30”, Cyanotype, 8.1.22
“Momento”, Film Transparency, 22” x 30”, Cyanotype, 8.1.22
“Momento”, Film Transparency, 22” x 30”, Cyanotype, 8.1.22
“Momento”, Self-portrait, Archive 1997
“Camouflage” Searching for the Light, 22” x 30”, Drypoint Print, Acrylic, 7.12.22, Face: Christina Yasmin Fesmire, Pattern: Zana Zupur
“Camouflage” 22” x 30”, Drypoint Print, 7.12.22, Christina Yasmin Fesmire
“Camouflage” 22” x 30”, Inked Drypoint Plate. 7.12.22
“Camouflage” 22” x 30”, Drypoint Plate. 7.12.22
“Rabbit-Goat-Man”, Hybrid Book, 10” x 10”, Drypoint Print, 5.10.22
“Rabbit-Goat-Man”, Hybrid Book, 10” x 10”, Drypoint Plate (Inked), 5.10.22
“Rabbit-Goat-Man”, Hybrid Book, 10” x 10”, Drypoint Plate, 5.10.22
“Rabbit-Goat-Man”, Hybrid Book, 10” x 10”, Sketch, 5.10.22
Drypoint Print- Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Drypoint Print, Part of Collaboration with Lynk Collective. 3.13.22
Printing Process- Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Drypoint Plate, Part of Collaboration with Lynk Collective. 3.13.22
Printing Process- Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Drypoint Plate, Part of Collaboration with Lynk Collective. 3.13.22
Inking Process- Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Drypoint Plate, Part of Collaboration with Lynk Collective. 3.13.22
Inking Process- Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Drypoint Plate, Part of Collaboration with Lynk Collective. 3.13.22
Inking Process- Drypoint, Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Part of Collaboration with Lynk Collective. 3.13.22
Printing Process- Van Gogh Homage, “Many Faces of Van Gogh”, 22.5” x 30.5”, Part of Collaboration with Lynk Collective. 3.13.22
Drypoint Inking Process- “Brain”, 8” x 10”, Our Time On A Wall Of Red, Part of Collaboration with Lynk Collective. 5.11.22
Drypoint Scratching Process- “Brain”, 8” x 10”, Our Time On A Wall Of Red, Part of Collaboration with Lynk Collective. 5.11.22
Printing Process- Christina Yasmin Fesmire, Nguyen Ly, Irvine Fine Arts Center. 3.05.22
Drypoint, Monprint Printing Process- Da Vinci Homage, “Da Vinci Reimagined”, 22.5” x 30.5”, Part of Collaboration with Lynk Collective, 2.10.22
Drypoint Process- 22.5” x 30.5”. Da Vinci Homage, “Da Vinci Reimagined”, Collaboration. Nguyen Ly. 2.10.22
Exquisite Corpse- “Disarray”, 45"x 22", Film Transparency, Monoprint, Head: Christina Fesmire, Torso: Alexandra Chiara, Hip: Nguyen Ly (Drypoint, Collagraph and Paper Lithograph) 5.19.22
Exquisite Corpse- “Disarray”, 45"x 22", Film Transparency, Monoprint, Head: Christina Fesmire, Torso: Alexandra Chiara, Hip: Nguyen Ly (Drypoint, Collagraph and Paper Lithograph) 5.19.22
Exquisite Corpse- Nguyen Ly, “Disarray”, 45"x 22", Film Transparency, Monoprint, Head: Christina Fesmire, Torso: Alexandra Chiara, Hip: Nguyen Ly (Drypoint, Collagraph and Paper Lithograph) 5.19.22
Drypoint Print- “Our Time On A Wall Of Red”, 10” x 20", Part of a larger collaboration with Lynk Collective. lynkcollective.com
Drypoint Print- “Our Time On A Wall Of Red”, 10” x 40", Part of a larger collaboration with Lynk Collective. lynkcollective.com
Drypoint Plate (Inked)- “Our Time On A Wall Of Red”, 10” x 20", Part of a larger collaboration with Lynk Collective. lynkcollective.com
Drypoint Print- “Our Time On A Wall Of Red”, 16” x 20", Part of a larger collaboration with Lynk Collective. lynkcollective.com
Drypoint Plate (Inked)- “Our Time On A Wall Of Red”, 16” x 20", Part of a larger collaboration with Lynk Collective. lynkcollective.com
Drypoint Plate- “Our Time On A Wall Of Red”, 16” x 20", Part of a larger collaboration with Lynk Collective. lynkcollective.com
Drypoint Process- Christina Yasmin Fesmire, 22.5” x 30.5”. 2.10.22. Da Vinci Homage, “Da Vinci Reimagined”, Collaboration. 2.10.22
Linocut Process- 2” miniature block printing on the hand press. 7.13.21
Linocut Process- Inking the brayer. 7.13.21
Cyanotype print. Final result. Experiment- 6.13.21
Cyanotype- An image was produced by exposing sensitised paper to a source of ultraviolet light, in this case sunlight. Hydrogen peroxide was added to darken the tone. A variety of alternative effects can be achieved: reducing, intensifying, and toning. Tea and coffee can be used to tone the print after it’s been developed.
Cyanotype positive- The image is printed on film transparency.
Paper Lithograph Printmaking. Process, 8.5” x 11”. Portrait: “Zana”.6.2021
Woodblock Printmaking. Process, “Mandali”. Lotus Research and Design- Collaborative. Laser Engraving. A small scale mock-up prototype was produced using the laser engraving method. The small scale version will potentially be a preface to produce much larger scale versions (33”). Sample Version- 11”. 6.05.2021
Woodblock Printmaking. Process, “Mandali”. Lotus Research and Design- Collaboration. Laser Engraving. Sample prototype. 6.05.2021
Woodblock Print. Production of the sample plate. “Mandali”. Lotus Research and Design- Collaborative. A small mock-up prototype was produced using the laser engraving method. 6.05.2019
Originally a woodblock print, the abstracted mandala has been transferred onto fabric. Lotus research and design https://www.instagram.com/lotusresearchanddesign/?hl=en, an innovator of inflatable housing structures and other products based in Hawaii experiments with wearables. The original woodblock plate was laser engraved and printed by hand. 5.02.2019
Woodblock Print. Process, “Mandali”. Lotus Research and Design- Collaboration. 5.02.2019
Woodblock Print. Process, “Mandali”. Lotus Research and Design- Collaboration.The first print. 5.02.2019
Woodblock Print. Process, “Mandali”. Lotus Research and Design- Collaboration. Ideation. Testing the laser engraved block on the press. A small simplified version of the design was produced as a sample. 5.02.2019
Paper Lithograph Print, Hanging Piano. 4” x 6”, 5.02.2018.
Solar Print. Process. Printing the image using various techniques. Exposing the plate in sunlight prior to manually printing on the press. 5.02.2018
Solar Print. Hanging Piano. 4” x 6”, 5.02.2018.
Solar Print, Process. Exposing the test strip in increments to determine the exposure time. 5.02.2018.
Solar Print, Process. Printing the test strip. 5.02.2018.
Solar Print. Process, Experimenting with the image as illustration. 5.02.2018.
Solar Print. Exposing the plate in sunlight to create the image to be printed. 5.02.2018.
Solar Print. Process. Illustrated version. The inked plate. 5.02.2018.
Solar Print. Process. Illustration. The test strip is etched through exposure to sunlight prior to printing. 5.02.2018.
Solar Print. Illustration. The test strip is inked. 5.02.2018.
Process, Solar plate. 5.02.2018.
Collagraph. Textural background made as a collagraph with spaghetti. 26” x 40”, 2017.
Ideation. Paper Boats, Concept development for collaborative printmaking exhibition- relative theme: water. Folding origami. 2.18.2019
Paper Lithograph Print. Process, Manual printing on the etching press.
Linocut Print. Process, “Vote Tote” Bag, Carving the plate.
Linocut Print. “Vote Tote” Bag. The inked plate.
Linocut Print on Fabric. “Vote Tote” Bag.
Paper Lithograph Print with Chine-Collé on Rice Paper, 18”x 24”, 2017.
Paper Lithograph Print, 10” x 10”, Geometric Pattern Series, 2018.
“Dissonance”, 8” x 10”. Paper Lithograph, 2018.
“Dissonance”. 32” x 40”. Process, Paper Lithograph Print. Large Scale version- 32” x 40”. 2018.
Paper Lithograph Print. Removing the inked paper from the plate.
Paper Lithograph Print, The first test print shows excess ink in the image area.
“Dissonance”, 11” x 14”. Drypoint Print, 2018. The pattern was engraved into the plexiglass plate, inked and manually printed on the etching press. The smaller scale version was produced prior to engraving the larger, 40” plate.
Drypoint engraving process for printing this audio series on various mediums: The carved areas show a divide in texture on the surface of the plate; the graphic pattern beneath is used as the stencil. The engraved plate will be inked and hand printed as a drypoint print on both paper and hydrocal or plaster. Dimensions: 36” x 24”. Mediums: Drypoint and lithograph casted in hydrocal or plaster, combined with other techniques on paper. Wood burning methods will be explored. A scaled down version was first produced as a mock-up, and printed on paper and hydrocal as a working sample.
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint
Drypoint Print. The engraved plate is inked.
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint
Drypoint Print. The plexiglass plate is drilled by hand prior to the inking process. This version was created as a small scale mock-up for testing, before the large scale 40” version begins. It will be inked and manually printed on the etching press, and also casted in three-dimension with hydrocal.
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint
Drypoint Print. The inked plate is casted in hydrocal, and set to cure..
#drypointetching #drypointengraving#printmaking #printstudio#artoninstagram #audio #lithography#lithograph #drypoint #plastercasting
Drypoint Print. The inked plate is casted in hydrocal and printed on plaster and paper. #drypointetching #printmaking #process #drypointengraving#printmaking #printstudio#artoninstagram #audio
Drypoint Print in Plaster. A small scale version is produced as a mock-up before creating it in large scale.
Paper Lithograph Print. Process, 12” x 50” Individual sheets are inked and pieced together on the plate to create one continuous print.
Paper Lithograph Print. 12” x 50”. The print is mounted between two plexiglass pieces.
Drypoint Engraved Plate. ‘Ghost Book’. The inked plate. #drypointprintmaking #ghost #brain-neuron #psychology #printmakingstudio #drypointengraving #print
Drypoint Print. ‘Ghost Book’ The final print. 10” x 10”. #drypointprintmaking #ghost #brain-neuron #psychology #printmakingstudio #drypointengraving #print #etchingpress #etching
Experimentations in Photography with Michael Weitzman Photographic Arts, Orotone with 24 Karat Gold on Glass. #orotone #24karatgold #photographyonglass #portraitphotography
Experimentations in Photography with Michael Weitzman Photographic Arts, Orotone with 24 Karat Gold on Glass. #orotone #24karatgold #photographyonglass #portraitphotography
Orotone Photographic Process. The image is created by printing a positive on glass plate, and applying 24 karat gold backing. Micheal Weitzman Photographic Arts.
Photography on Glass. Creating the photographic print on glass. photography #printingonglass #portraitphotography
Photography on Glass. Developing on test strips, exposing the image in increments on glass.
Exquisite Corpse- Printmaking Collaborative; 23” x 45”, 2018. Head- Christina Fesmire, Paper Lithography. Torso- Alexandra Chiara, Collagraph, Hip- Nguyen Ly- Drypoint
Furniture Design. 2010. The chair is assembled using slabs of wood and only adhesive, with a supportive structure on either side during the glueing process. The side panels are removed after the glue has hardened and cured. Pratt Institute, New York.
The structure is built to support the individual slabs during the glueing process.
The first mock-up of shape and structure is built.
The individual slabs of wood are sanded and prepared for adhesive.
The supportive side pieces temporarily support the individual slabs as the glue sets, and will be removed afterward.
Furniture Design. “Fugle Swing”. The mold is made using sheet metal to create the shape. Veneer sheets of walnut, maple and birch wood are cut, glued and pressed into the mold.
Fugle Swing. The Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen, Denmark. 2010.
Fugle Swing. The Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen, Denmark. 2010.
Furniture Design. “Fugle Swing”, The Royal Danish Academy of Fine Arts + Architecture, Copenhagen, Denmark.